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The Joy Luck Club [PORTABLE]



On Easter, before her farewell party, June receives the news from the club that her long-lost twin sisters are alive. When June cannot understand the twins' letter written in Chinese, Lindo purposely mistranslates the letter, claiming that the twins are aware of Suyuan's death and the existence of their half sister June. Back in the present, when the farewell party ends, Lindo confesses that she wrote letters to the twins and then signed Suyuan's name. June begs Lindo to tell them the truth, but Lindo tells her that it is too late, because the twin sisters are anticipating their mother, still believing that Suyuan is alive, and that June must be the one to inform them of their mother's death. A short while later, June's father retells the war story of Suyuan and her long-lost twin daughters. Then he gives her the swan feather (as described earlier in the prologue) from Suyuan's swan, saying that the feather looks worthless, but carries with it all of her mother's "good intentions". When she arrives in China to meet her sisters, June tells them the truth about Suyuan and herself. The sisters finally embrace.




The Joy Luck Club


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The Joy Luck Club is a 1989 novel written by Amy Tan. It focuses on four Chinese immigrant families in San Francisco who start a club known as The Joy Luck Club, playing the Chinese game of mahjong for money while feasting on a variety of foods. The book is structured similarly to a mahjong game, with four parts divided into four sections to create sixteen chapters. The three mothers and four daughters (one mother, Suyuan Woo, dies before the novel opens) share stories about their lives in the form of short vignettes. Each part is preceded by a parable relating to the themes within that section.


Determined to escape this unfortunate situation, Lindo carefully observed the other people in the household and eventually formed a clever plan to escape her marriage without dishonoring herself, her family and her in-laws. She managed to convince her in-laws that Huang Tyan Yu was actually fated to marry another girl who was already pregnant with his "spiritual child", and that her own marriage to him would only bring bad luck to the family. The girl she described as his destined wife was, in fact, a mere servant in the household, indeed pregnant but abandoned by her lover. Seeing this as an opportunity for her to be married and live comfortably, the servant girl cheerfully agreed with Lindo.


How, for example, could June's mother have told of abandoning her first-born twin girls by the roadside? Suyuan, starving and sick, was sure she should die, and felt her girls would have a better chance of survival if they were not linked to the "bad luck" of a dead mother.


The stories are also connected by the kind of hope common to immigrants, that the new country will bring them joy and luck, those two things linked to become joy luck, and this was in contrast to bad luck, the kind that had plagued many of them.


Four Chinese immigrant women form a mahjong club in the late 1940s in San Francisco, dubbing themselves THE JOY LUCK CLUB. Over the course of 40 years, their stories unfold as they raise their daughters in a country quite different from their own. Mothers and daughters learn to navigate relationships as they imperfectly translate one another and the opposing cultures. Seeking to find their identities as women, mothers, daughters, and wives, they find joy in the lives they create.


Wind and directions.Waverly thinks of wind in her relationship with her mother and in herchessplaying. Because "the north wind had blown luck and my husband my way,"Ying-ying keeps the window open to blow "the spirit and heart" of herwomanizinghusband back; instead the north wind blows him "past my bedroom and outtheback door" (p. 281).


y'all are so sick for the way you talk about this movie like it's a chick flick. it's not perfect, but i feel like people are a lot more forgiving when they watch stories about white men and their tragedies, whereas movies like the joy luck club are held to the highest possible standard. any corny or dated moment is harped on to a degree that flaws in other movies wouldn't be


Amy Tan's The Joy Luck Club is itself a joyful study in luck. An intricately patterned novel whose author thought she was writing a short-story collection, it is also a mother-daughter saga by a writer whose own mother wanted her to be anything but a writer.


Tan was a good student. At age eight, her treatment of the theme "What the Library Means to Me" won her a transistor radio and mention in the local newspaper. When Tan was 14, her brother Peter and her father died within seven months of each other, both from brain tumors. A neurosurgeon gave no explanation other than bad luck. This twin tragedy spurred Daisy Tan to hoist anchor and move the family to Switzerland. After they returned to California, Tan was ready for college, where she eschewed her mother's wish for her to study medicine and studied literature instead. She met her husband, Lou DeMattei, on a blind date in Oregon while enrolled in one of the seven undergraduate institutions she attended. Tan followed him to San Jose, California, where she later earned an MA in linguistics in 1973.


AT: I don't think joy and luck are specific to Chinese culture. Everybody wants joy and luck, and we all have our different notions about from where that luck comes. Many Chinese stores and restaurants have the word "luck" in there. The idea is that, just by using the word "luck" in names of things, you can attract more of it. Our beliefs in luck are related to hope. Some people who are without almost any hope in a situation still cling to luck.


Suyuan Woo comes to America without her twin daughters. Like An-mei Hsu, Lindo Jong and Ying-ying St. Clair, her days are filled with painful memories of life in China. Suyuan meets these three other immigrants through the First Chinese Baptist Church in 1949. She recognizes they are suffering as she is, so she starts the Joy Luck Club. The women gather each week to eat, play mahjong and share stories. The club continues to meet for decades.


The Joy Luck Club is an informal "institution'' started by Suyuan Woo upon her arrival in San Francisco in 1949. Suyuan finds three other Chinese immigrant women to play mah jongg, cook and consume special foods, tell stories, gossip, invest in stocks, and plan for joy and luck. In the years that follow, the club links the four families, enabling them to pool resources and keeping them in touch with their past as they take on the challenges of adjusting to a new country.


In Tan's hands, these linked stories - diverse as they are - fit almost magically into a powerfully coherent novel, whose winning combination of ingredients - immigrant experience, mother-daughter ties, Pacific Rim culture - make it a book with the ``good luck'' to be in the right place at the right time. This first novel is a featured alternate of two major book clubs and is being serialized in four magazines. It also happens to be a novel that deserves its fortune.


The scene was filmed at the Golden Gate National Recreation Area, a spectacularly beautiful national park just north of San Francisco. On Easter, June (Ming-Na Wen) was astounded to receive the incredible news from the club that her long-lost twin sisters were alive. The gorgeous scenery only added to the emotion of this joyous moment, with a sense of calmness and serenity in the air that truly brings out the emotion.


After her mother Suyuan's death, thirty-six year old Jing-mei (June) Woo joins The Joy Luck Club. The club, which Suyuan founded in China during the war, consists of four women playing mah jong, eating good dinners, and gambling. Suyuan created the club as a way to improve the spirits of her friends during wartime. Her first husband died in the war and she was forced to abandon their twin baby daughters on the side of a road. Soon after, she met and married Canning Woo and moved to America. There, she restarted the club with three other women her age: An-mei Hsu, Lindo Jong, and Ying-ying St. Clair. The four women and their daughters, who are about the same age, grow older together, and each mother/daughter relationship is full of sadness, anger and joy. June, for example, isn't sure she can replace a dead mother she hardly knew. Then she learns that her mother's other daughters have been found: they live in China, and the other women of the Joy Luck Club are sending June to meet them. 041b061a72


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